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por Gina Bloom

Rich connections between gaming and theater stretch back to the 16th and 17th centuries, when England's first commercial theaters appeared right next door to gaming houses and blood-sport arenas. In the first book-length exploration of gaming in the early modern period, Gina Bloom shows that theaters succeeded in London's new entertainment marketplace largely because watching a play and playing a game were similar experiences. Audiences did not just see a play; they were encouraged to see more play the play, and knowledge of gaming helped them become better theatergoers. Examining dramas written for these theaters alongside evidence of analog games popular then and today, Bloom argues for games as theatrical media and theater as an interactive gaming technology. Gaming the Stage also introduces a new archive for game studies: scenes of onstage gaming, which appear at climactic moments in dramatic literature. Bloom reveals plays to be systems of information for theater spectators: games of withholding, divulging, speculating, and wagering on knowledge. Her book breaks new ground through examinations of plays such as The Tempest, Arden of Faversham, A Woman Killed with Kindness, and A Game at Chess; the histories of familiar games such as cards, backgammon, and chess; less familiar ones, like Game of the Goose; and even a mixed-reality theater videogame.

por E.B. Sledge

This modern classic of military history has been called "one of the most important personal accounts of war that I have ever read" by distinguished historian John Keegan. Author E.B. Sledge served with the First Marine Division during WWII, and his first-hand narrative is unsurpassed in its sincerity. Sledge's experience shows in this fascinating account of two of the most harrowing and pivotal island battles of the Pacific theater. On Peleliu and Okinawa the action was extremely see more fierce. Amidst oppressive heat and over land obliterated by artillery shells, the combat raged ferociously. Casualties were extreme on both sides, and by the time the Americans had broken through at Okinawa, more than 62,000 Japanese soldiers were dead. Against military policy, Sledge scribbled notes and jammed them into his copy of the New Testament. Those notes form the backbone of what Navy Times said "has been called the best World War II memoir of an enlisted man." The rich tones of narrator George Wilson enhance the drama of this frank and astonishing chronicle.

por Thomas Nelson

This faithful rendering of the New Testament in the New King James Version (NKJV) presents the Bible in compelling, dramatic audio theater format with world-class audio production. With an original music score by composer Stefano Mainetti (Abba Pater), feature-film quality sound effects, and compelling narration by Michael York and the work of over 500 actors, the The Word of Promise Audio Bible will immerse listeners in the dramatic reality of the scriptures as never before.
Each beloved see more book of the Bible comes to life with outstanding performances by Jim Caviezel as Jesus, Richard Dreyfuss as Moses, Gary Sinise as David, Jason Alexander as Joseph, Marisa Tomei as Mary Magdalene, Stacy Keach as Paul, Louis Gossett, Jr. as John, Jon Voight as Abraham, Marcia Gay Harden as Esther, Joan Allen as Deborah, Max von Sydow as Noah, and Malcolm McDowell as Solomon.
This faithful rendering of the New Testament in the New King James Version (NKJV) presents the Bible in compelling, dramatic audio theater format with world-class audio production. With an original music score by composer Stefano Mainetti (Abba Pater), feature-film quality sound effects, and compelling narration by Michael York and the work of over 500 actors, the The Word of Promise Audio Bible will immerse listeners in the dramatic reality of the scriptures as never before.
Each beloved book of the Bible comes to life with outstanding performances by Jim Caviezel as Jesus, Richard Dreyfuss as Moses, Gary Sinise as David, Jason Alexander as Joseph, Marisa Tomei as Mary Magdalene, Stacy Keach as Paul, Louis Gossett, Jr. as John, Jon Voight as Abraham, Marcia Gay Harden as Esther, Joan Allen as Deborah, Max von Sydow as Noah, and Malcolm McDowell as Solomon.

por Thomas Nelson

This faithful rendering of the Old Testament in the New King James Version (NKJV) presents the Bible in compelling, dramatic audio theater format with world-class audio production. With an original music score by composer Stefano Mainetti (Abba Pater), feature-film quality sound effects, and compelling narration by Michael York and the work of over 500 actors, the Word of Promise Audio Bible will immerse listeners in the dramatic reality of the scriptures as never before.
Each beloved book see more of the Bible comes to life with outstanding performances by Jim Caviezel as Jesus, Richard Dreyfuss as Moses, Gary Sinise as David, Jason Alexander as Joseph, Marisa Tomei as Mary Magdalene, Stacy Keach as Paul, Louis Gossett, Jr. as John, Jon Voight as Abraham, Marcia Gay Harden as Esther, Joan Allen as Deborah, Max von Sydow as Noah, and Malcolm McDowell as Solomon.

por Daniel J. Siegel

NEW YORK TIMES BESTSELLER • The pioneering experts behind The Whole-Brain Child and The Yes Brain tackle the ultimate parenting challenge: discipline.
 
“A lot of fascinating insights . . . an eye-opener worth reading.”—Parents

Highlighting the fascinating link between a child’s neurological development and the way a parent reacts to misbehavior, No-Drama Discipline provides an effective, compassionate road map for dealing with tantrums, tensions, and tears—without see more causing a scene.
 
Defining the true meaning of the “d” word (to instruct, not to shout or reprimand), the authors explain how to reach your child, redirect emotions, and turn a meltdown into an opportunity for growth. By doing so, the cycle of negative behavior (and punishment) is essentially brought to a halt, as problem solving becomes a win/win situation. Inside this sanity-saving guide you’ll discover
 
• strategies that help parents identify their own discipline philosophy—and master the best methods to communicate the lessons they are trying to impart
• facts on child brain development—and what kind of discipline is most appropriate and constructive at all ages and stages
• the way to calmly and lovingly connect with a child—no matter how extreme the behavior—while still setting clear and consistent limits
• tips for navigating your child through a tantrum to achieve insight, empathy, and repair
• twenty discipline mistakes even the best parents make—and how to stay focused on the principles of whole-brain parenting and discipline techniques
 
Complete with candid stories and playful illustrations that bring the authors’ suggestions to life, No-Drama Discipline shows you how to work with your child’s developing mind, peacefully resolve conflicts, and inspire happiness and strengthen resilience in everyone in the family.

Praise for No-Drama Discipline
 
“With lucid, engaging prose accompanied by cartoon illustrations, Siegel and Bryson help parents teach and communicate more effectively.”—Publishers Weekly

“Wow! This book grabbed me from the very first page and did not let go.”—Lawrence J. Cohen, Ph.D., author of The Opposite of Worry

por Edwin Wong

WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL
The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.
In see more this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question--what happens when the perfect bet goes wrong?
Not only does Wong reinterpret classic tragedies from Aeschylus to O'Neill through the risk theatre lens, he also invites dramatists to create tomorrow's theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Risk theatre is inaugurating a new tragic age in storytelling, drama, and literature. Listen to the book that launched the world's largest tragedy playwriting contest (risktheatre.com).
"An ambitious, thought-provoking critique of tragedy in the 21st century." Kirkus
"Impossible to put down." NJ Drama Australia Journal
"Insightful and compelling ... A bold, inventive new model of theatre through the lens of risk." Broadway World UK
"If you love literature--theater, film, novels, history, biography, opera, whatever--you need to read this extraordinary work ... Read it--twice. You will never read another work of literature the same way." Charlie Euchner, Columbia University

por Edgar Allan Poe

Four tales of terror from the pen of Edgar Allan Poe dramatized with sound effects and original music! In this PoeForevermore Radio Theater Volume One collection: Mark Redfield performs the nameless narrator in “The Tell-Tale Heart- A Monologue”. Redfield (Montessor) then walls-up Chris Pfingsten (Fortunato) in “The Cask of Amontillado”, a tale of cold revenge dramatized by Tony Tsendeas. Beautiful Caroline Munro is walled-up with a feline friend in our swinging-London version of “The see more Black Cat 1969”. And in “Valdemar” Jennifer Rouse (Mrs. Valdemar) tells of how J. R. Lyston (her husband, M. Valdemar) tried to cheat death! Adaptations and direction by Mark Redfield. “The Cask of Amontillado” adapted by Tony Tsendeas. Original Music and Sound Design by Jennifer Rouse.

por Elliott Lewis

"Five nights of exceptional entertainment every week!" Produced and directed by Elliott Lewis and Fletcher Markle, The Mutual Radio Theater was a bold experiment in reviving the art of radio drama. Big name hosts - including Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson, and Leonard Nimoy - introduced westerns, adventure tales, and productions with a light comedic touch. These film and television stars shared the microphone with veterans of "the theater of the see more mind," including Arch Oboler, Frank Nelson, Harold Peary, Jeanette Nolan, Parley Baer, Tommy Cook, June Foray, and more. The result was truly evolved and exciting entertainment!
EPISODES INCLUDE: The Goodnight Loving Trail 04-14-80; The Baseball Announcer 04-15-80; The Voyage of No Return 04-16-80; There...Go I 04-17-80; The Lover of Silence 04-18-80; The Legend of Gibson Holler 04-21-80; A Small Argument 04-22-80; Lion Hunt 04-23-80.

por PBS NewsHour

Arlington, Virginia's Signature Theater won a 2009 Tony Award as one of the nation's best regional theaters. Jeffrey Brown explores the theater's history and humble beginnings.