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por Javier Cercas

Nominated for the Man Booker International Prize

For decades, Enric Marco was revered as a veteran of the Spanish Civil War, a crusader for justice, and a Holocaust survivor. But in May 2005, at the height of his renown, he was exposed as a fraud: Marco was never in a Nazi concentration camp. And perhaps the rest of his past was fabricated, too, a combination of his delusions of grandeur and his compulsive lying. In this hypnotic narrative, which combines fiction and nonfiction, see more detective story and war story, biography and autobiography, Javier Cercas sets out to unravel Marco’s enigma. With both profound compassion and lacerating honesty, Cercas probes one man’s gigantic lie to explore the deepest, most flawed parts of our humanity.

por Javier Cercas

On a summer day at the arcade, timid sixteen-year-old Ignacio Cañas encounters two charismatic rebels: El Zarco (“Blue Eyes”) and his gorgeous girl, Tere. Entranced, he crosses the border into their dangerous world, becoming their partner in crimes that quickly escalate.

Twenty-five years later, Tere materializes in Cañas's office, needing help. Cañas has settled back into middle-class life, becoming a successful defense lawyer. Zarco has matured into a convict of some infamy. see more Yet somehow, with new stakes, this three-way affair will begin again.

With his usual brio, Javier Cercas surveys the borders between right and wrong, respectability and criminality, and to what extent we can pass between them-or determine on which side we ultimately fall. This brilliantly plotted tale firmly establishes him as one of the most rewarding novelists writing today.

por Javier Cercas

Javier Cercas' third and most ambitious novel has already been heralded in Spain as "daring," "magnificent, complex, and intense," and "a master class in invention and truth."As a young writer, the novel's protagonist-perhaps an apocryphal version of Cercas himself-accepts a post at a Midwestern university and soon he is in the United States, living a simple life, working and writing. It will be years before he understands that his burgeoning friendship see more with the Vietnam vet Rodney Falk, a strange and solitary man, will reshape his life, or that he will become obsessed with Rodney's mysterious past.
Why does Rodney shun the world? Why does he accept and befriend the narrator? And what really happened at the mysterious 'My Khe' incident? Many years pass with these questions unanswered; the two friends drift apart. But as the narrator's literary career takes off, his personal life collapses. Suddenly, impossibly, the novelist finds that Rodney's fate and his own are linked, and the story spirals towards its fascinating, surreal conclusion. Twisting together his own regrets with those of America, Cercas weaves the profound and personal story of a ghostly past.

por Javier Cercas

In February 1981, Spain was still emerging from Franco's shadow, holding a democratic vote for the new prime minister. On the day of the vote in Parliament, while the session was being filmed by TV cameras, a band of right-wing soldiers burst in with automatic weapons, ordering everyone to get down. Only three men defied the order. For thirty-five minutes, as the cameras rolled, they stayed in their seats.Critically adored novelist Javier Cercas originally set out to write a novel about see more this pivotal moment, but determined it had already gained an air of myth, or, through the annual broadcast of video clips, had at least acquired the fictional taint of reality television. Cercas turned to nonfiction, and his vivid descriptions of the archival footage frame a narrative that traverses the line between history and art, creating a daring new account of this watershed moment in modern Spanish history.
The Anatomy of a Moment caused a sensation upon its publication in Spain, selling hundreds of thousands of copies. The story will be new to many American readers, but the book stands resolutely on its own as a compelling literary inquest of national myth, personal memory, political spectacle, and reality itself.

por Javier Cercas

The Tenant and The Motive are two darkly humorous novellas from the award-winning author of Soldiers of Salamis. The Tenant is the mischievous story of Mario Rota, a linguistics professor whose life starts to unravel after he twists his ankle while out jogging one day. A rival professor appears, takes over his classes and bewitches his girlfriend. Where will Rota's nightmare end - and where did it begin? The Motive is a satire about a writer, Álvaro, who becomes obsessed with finding the see more ideal inspiration for his novel. First he begins spying on his neighbours, then he starts leading them on, creating a reversal of the maxim that art follows life - with some dire consequences. Written with a supremely light touch, these witty novellas are enjoyable masterpieces that linger long in the memory.

por Javier Cercas

A novel of the Spanish Civil War—a modern classic, an international bestseller, and a searing exploration of the unknowability of history. 

In the waning days of the Spanish Civil War, an unknown militiaman discovered a Nationalist prisoner who had fled a firing squad and taken refuge in the forest. But instead of killing him, the soldier simply turned and walked away. The prisoner, Rafael Sánchez Mazas—writer, fascist, and founder of the Spanish Falange—went on to become a see more national hero and ultimately a minister in Franco's first government. The soldier disappeared into history. Sixty years later, Javier Cercas—or at least, a character who shares his name--sifts through the evidence to establish what really happened that day. Who was the soldier? Why didn't he shoot? And who was the true hero in the story? Every answer yields another question in this powerful and elegantly constructed novel about truth, memory, and war.

por Book 11

What is Europe? A continent fragmented through the centuries by wars, border conflicts and cultural diversity. As Europeans, we do not have a common language or a common history, but we do have common roots, needs and ambitions. These similarities led us to fulfil what at the end of the Second World War could have been called a "reasonable utopia" — the European Union.
The Spanish writer Javier Cercas investigates Europe and Europeans, our past, the conflicts, the ideologies and see more the people who forged Europe as we know it today. Though no final answer to all the questions can be found, the conclusion seems inevitable: Europe will be unified, naturally, sooner or later, despite all the hostility.
This is the eleventh essay in the Big Ideas series created by the European Investment Bank. The EIB has invited international thought leaders to write about the most important issues of the day. These essays are a reminder that we need new thinking to protect the environment, promote equality and improve people's lives around the globe.

por Javier Cercas

In this deeply personal work of historical interrogation, Javier Cercas—“the bard of [the] movement for the recovery of Spain’s suppressed memory” (The New York Times Book Review)—unpacks the legacy of the Spanish Civil War by way of his own family’s history. Growing up, Cercas was inculcated with the legend of his beloved great-uncle, Manuel Mena, who died at nineteen in the bloodiest battle of the Spanish Civil War—while fighting for Franco. Who was this young man? A fascist see more hero whose memory is now an embarrassment or a committed idealist who happened to fall on the wrong side of history? In Lord of All the Dead, Cercas pieces together the life of his enigmatic relative and in so doing tells the story of an entire generation. Combining intimate family history, investigative scholarship, personal confession, and a novelist’s imagination, Cercas has crafted a transcendent portrait of a country’s indelible scars, a book about heroism, death, the persistence of the past, and the meaning of an individual life against the tapestry of history.

por Samuel Amago

True Lies is a comprehensive study of the evolving functions of narrative self-consciousness in contemporary Spain. While the foundational studies of metafiction - by Alter, Scholes, Hutcheon, Waugh, Spires, and others - have illustrated how self-conscious writing serves to blur the distinction between reality and fiction in order to draw attention to the dynamic processes of literary representation, True Lies takes into account a fundamental issue overlooked by earlier treatments of the genre: see more namely, the importance of consciousness itself to this type of fiction. In the contemporary Spanish cultural context, novelists have increasingly explored the role of narrative in the construction and understanding of the self. This book shows how recent novels by Rosa Montero, Nuria Amat, Javier Cercas, Juan Jose Millas, Javier Marias, and Carlos Caneque use metafiction in order to question the relationship between reality and make-believe; to scrutinize the dynamic nature of personal identity; to problematize the historiographical enterprise; to evaluate critically the processes of canon formation; and to parody themselves and the poetics of self-consciousness. University of Notre Dame.

por Pete Ayrton

From the homefront to the heat of battle, the first truly international Spanish Civil War anthology.

Hope, resignation, despair, sadness, humor, confusion, ruthlessness, compassion, kindness, generosity and love inhabit Pete Ayrton's anthology of writings from the Spanish Civil War: there is little sense of triumphalism among the bewilderingly diverse Republican and Nationalist coalitions, all shades of which are represented here.

Previous collections privileged the writings see more of the International Brigades over those of the Spanish, sometimes excluding them altogether. ¡No Pasarán! corrects the balance: by far the largest contingent of its thirty five writers are Spanish, including Luis Buñuel, Manuel Rivas, Javier Cercas, Arturo Barea, Joan Sales, and Chaves Nogales. The other writers offer contrasting perspectives of participants in the conflict from America (among them John Dos Passos, Muriel Rukeyser and Langston Hughes); Italy (Curzio Malaparte and Leonardo Sciascia); France (Jean-Paul Sartre and André Malraux); Germany (Gustav Regler); Russian (Victor Serge), Great Britain (including Arthur Koestler, George Orwell and Laurie Lee), Cuba, Argentina, and Mexico.

Acclaimed editor Pete Ayrton brings together hauntingly vivid stories from a bitterly fought war. This is writing of a high order that allows the reader to witness life from the front lines of this momentous conflict.