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por Marquis de Sade

Courval has asked Florville to marry him. Florville decides that before she can marry him she must confess all of her sins to him so that they will have no secrets. The tales are sordid and come together in an entirely unexpected way for both the narrator and the reader. A classic.

por Marquis de Sade

Madame la Comtesse de Lorsange was one of those priestesses of Venus whose fortune is the product of a pretty face and much misconduct, and whose titles, pompous though they are, are not to be found but in the archives of Cythera, forged by the impertinence that seeks, and sustained by the fool's credulity that bestows, them; brunette, a fine figure, eyes of a singular expression, that modish unbelief which, contributing one further spice to the passions, causes those women in whom it is see more suspected to be sought after that much more diligently; a trifle wicked, unfurnished with any principle, allowing evil to exist in nothing, lacking however that amount of depravation in the heart to have extinguished its sensibility; haughty, libertine; such was Madame de Lorsange. Nevertheless, this woman had received the best education; daughter of a very rich Parisian banker, she had been brought up, together with a sister named Justine, by three years younger than she, in one of the capital's most celebrated abbeys where, until the ages of twelve and fifteen years, the one and the other of the two sisters had been denied no counsels, no masters, no books, and no polite talents.At this period crucial to the virtue of the two maidens, they were in one day made bereft of everything: a frightful bankruptcy precipitated their father into circumstances so cruel that he perished of grief. One month later, his wife followed him into the grave. Two distant and heartless relatives deliberated what should be done with the young orphans; a hundred crowns apiece was their share of a legacy mostly swallowed up by creditors. No one caring to be burdened with them, the convent's door was opened, their dowry was put into their hands, and they were left at liberty to become what they wished. Madame de Lorsange, at the time called Juliette, whose mind and character were to all intents and purposes as completely formed then as at thirty, the age she had attained at the opening of the tale we are about to relate, seemed nothing but overjoyed to be put at large; she gave not a moment's thought to the cruel events which had broken her chains. As for Justine, aged as we have remarked, twelve, hers was of a pensive and melancholy character, which made her far more keenly appreciate all the horrors of her situation.

por Marquis De Sade

Written in jail by the literary inventor of "sadism" comes a riveting story of sexual aberration.



Justine takes place in France at the cusp of the French Revolution. It follows the story of a criminal, Justine, who is telling the story of her life before being executed. Her tale involves exile, torture, and sexual slavery. After enduring an onslaught of rape and violence, the virtuous Justine attempted to escape ...



Chock full of murder, arson (not to see more mention the orgies) Justine is a singular and risky novel that resulted in the imprisonment of author Marquis de Sade by Napolean Bonaparte.



Justine is part of Momentum's Classic Erotica collection.

por Marquis de Sade

The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade was a man of savage intelligence who carried the philosophy of the French Enlightenment to its logical see more extreme. His writings effectively release the individual from all social and moral constraint: for many, Sade is the Great Libertarian. The Victorians considered him `Divine' and Apollinaire called him `the freest spirit'; the Surrealists recognised him as a founding father, and he is a key figure in the history of modernism and post-modernism. With Freud and Marx, Sade has been one of the crucial shaping influences on this century, and reactions to him continue to be extreme. But he has always been more talked about than read. This selection of his early writings, some making their first appearance in this new translation, reveals the full range of Sade's sobering moods and considerable talents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

por Marquis de Sade

'Senneval, you see in me your sister, the girl you seduced at Nancy, the woman who murdered your son, the wife of your own father and the ignoble creature who sent your mother to the gallows...' Who but the Marquis de Sade would write, not of the pain, tragedy, and joy of love but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in his stories; tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to see more satisfy their depraved passions, and they in turn suffer under the thrall of love. Psychologically astute, and defiantly unconventional, these stories show Sade at his best. A skilled and artful storyteller, he is also an intellectual who asks questions about society, about ourselves, and about life, for which we have yet to find the answers. This new selection includes 'An Essay on Novels', Sade's penetrating survey of the novelist's art. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

por Marquis de Sade

The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.

por Marquis de Sade

"The 120 Days of Sodom" is a 1785 novel by the French writer and nobleman Donatien Alphonse François. It is the story of four aristocratic male libertines who decide to seek out ultimate sexual gratification in the form of orgies. To this end, they seclude themselves in a remote castle in the heart of the Black Forest for four months, along with a harem of 46 victims-most of whom are young male and female teenagers. Donatien Alphonse François, Marquis de Sade (1740 -1814) was a see more French revolutionary politician, aristocrat, philosopher, and writer, famous for his libertine sexuality. Other notable works by this author include: "Justine, or the Misfortunes of Virtue"; "Juliette", and "Philosophy in the Bedroom". Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality, addition complete with the original text and artwork.

por Marquis de Sade

Who but the Marquis de Sade would write, not of the pain, tragedy, and joy of love, but of its crimes? Murder, seduction, and incest are among the cruel rewards for selfless love in these stories; tragedy, despair, and death the inevitable outcome. Sade's villains will stop at nothing to satisfy their depraved passions, and they in turn suffer under the thrall of love. Psychologically astute and defiantly unconventional, these tales show Sade at his best. A skilled and artful storyteller, see more he is also an intellectual who asks questions about society, about ourselves, and about life, for which we have yet to find the answers.

por Marquis de Sade

The 1990s have seen a resurgence of interest in the Marquis de Sade, with several biographies competing to put their version of his life story before the public. But Sadean scholar Richard Seaver takes us directly to the source, translating Sade's prison correspondence. Seaver's translations retain the aristocratic hauteur of Sade's prose, which still possesses a clarity that any reader can appreciate. "When will my horrible situation cease?" he wrote to his wife shortly see more after his incarceration began in 1777. "When in God's name will I be let out of the tomb where I have been buried alive? There is nothing to equal the horror of my fate!" But he was never reduced to pleading for long, and not always so solicitous of his wife's feelings; a few years later, he would write, "This morning I received a fat letter from you that seemed endless. Please, I beg of you, don't go on at such length: do you believe that I have nothing better to do than to read your endless repetitions?" For those interested in learning about the man responsible for some of the most infamous philosophical fiction in history, Letters from Prison is an indispensable collection.

por Geoffrey Gorer

This classic book is on the life and ideas of the Marquis De Sade, the notorious sexual libertine and controversial writer, and will make an excellent addition to the bookshelf of anyone with an interest in the subject. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.