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por Ismail Kadare

An epic novel of war from the Man Booker International Prize–winning Albanian author who “has been compared to Gogol, Kafka, and Orwell” (The Independent).
 
Ismail Kadare’s The Siege dramatizes a fictional fifth century assault by the Ottoman Army on a Christian fortress in the Albanian mountains.
 
As the bloody and psychologically crushing struggle for control unfolds, Kadare’s narrative opens a window onto the eternal clash between religions and empires. His see more masterful prose brings to life the exhilaration, despair, and immediacy of the battlefield—as well as a dramatic view of those who command and those who fight and die.
 
Hailed by The New Yorker as “Albania’s most distinguished novelist,” Kadare is a hero to his countrymen, as well as an outspoken critic of all forms of totalitarianism. Here, with this epic novel, he proves himself “an original voice, universal yet deeply rooted in his own soil” (The Independent).

por Ismail Kadare

June 28, 1389: Six hundred years before Serbian leader Slobodan Milosevic called for the repression of the Albanian majority in Kosovo, there took place, on the Field of the Blackbirds, a battle shrouded in legend. A coalition of Serbs, Albanian Catholics, Bosnians, and Romanians confronted and were defeated by the invading Ottoman army of the Sultan Murad. This battle established the Muslim foothold in Europe and became the centerpiece of Serbian nationalist ideology, justifying the campaign see more of ethnic cleansing of Albanian Kosovars that the world witnessed with horror at the end of the past century.  

In this eloquent and timely reflection on war, memory, and the destiny of two peoples, Ismail Kadare explores in fiction the legend and the consequences of that defeat. Elegy for Kosovo is a heartfelt yet clear-eyed lament for a land riven by hatreds as old as the Homeric epics and as young as the latest news broadcast.

por Ismail Kadare

 The Man Booker International–winning author of Broken April and The Siege, Albania’s most renowned novelist, and perennial Nobel Prize contender Ismail Kadare explores three giants of world literature—Aeschylus, Dante, and Shakespeare—through the lens of resisting totalitarianism. In isolationist Albania, which suffered under a Communist dictatorship for nearly half a century, classic global literature reached Ismail Kadare across centuries and borders—and set him free. The see more struggles of Hamlet, Dante, and Aeschylus’s tragic figures gave him an understanding of totalitarianism that shaped his novels. In these incisive critical essays informed by personal experience, Kadare provides powerful evidence that great literature is the enemy of dictatorship and imbues these timeless stories with powerful new meaning.

With eloquent prose and the narrative drive of a great mystery novel, Kadare renews our readings of the classics and lends them a distinctly Albanian tint. Like Mark Twain’s Mississippi River, Márquez’s Macondo, and Faulkner’s Yoknapatawpha County, Kadare’s Albania emerges as a microcosm of civilization; here, blood vengeance in mountain communities reaches the dramatic heights of Hamlet’s dilemma, funereal rites take on the air of Greek tragedy, and political repression gives life the feel of Dante’s nine circles of Hell.

Like Azar Nafisi’s Reading Lolita in Tehran, Essays on World Literature casts reading itself as a daring act of resistance to artistic suppression. Kadare’s insights into the Western canon secure his own place within it.

por Ismail Kadare

Psychologically incisive and impeccably crafted, Agamemnon’s Daughter tells the crushing story of passion shattered by a heartless regime. Once again, Kadare denounces with rare force the machinery of oppression, drawing us back to the ancient roots of Western civilization and tyranny.

This collection also showcases two masterful stories: “The Blinding Order,” a parable about the uses of terror in the Ottoman Empire, and “The Great Wall,” a chilling duet between a Chinese see more official and a soldier in the invading army of the great conqueror, Tamerlane.

por Peter Morgan

Ismail Kadare has experienced a life of controversy. In his own country and internationally he has been both acclaimed as a writer and condemned as a lackey of the Albanian socialist dictatorship. Coming of age after occupation and war, Kadare (b. 1936) belonged to the first generation of new Albanians. In a land where writers were routinely imprisoned, Kadare produced the most brilliant and subversive works to emerge from socialist Eastern Europe. His work brings to an end the century whose see more literary beginnings were marked by the terror to which Kafka gave his name. The inaugural award of the International Man-Booker Prize for Literature in 2005 marked an important milestone in the global recognition of Kadare. Ironic, multi-layered and imaginative, Kadare's writing is profoundly opposed to ideology. Through critical analysis of a representative selection of Kadare's works, Peter Morgan explains for a wide audience how Kadare survived and wrote in the repressive Albanian Stalinist environment. Peter Morgan is Professor of European Studies at the University of Western Australia.

por Ismail Kadare

Two destinies intersect in Broken April. The first is that of Gjor, a young mountaineer who (much against his will) has just killed a man in order to avenge the death of his older brother, and who expects to be killed himself in keeping with the provisions of the Code that regulates life in the highlands. The second is that of a young couple on their honeymoon who have come to study the age-old customs of the place, including the blood feud.
While the story is set in the early twentieth see more century, life on the high plateaus of Albania takes life back to the Dark Ages. The bloody shirt of the latest victim is hung up by the bereaved for all to see—until the avenger in turn kills his man with a rifle shot. For the young bride, the shock of this unending cycle of obligatory murder is devastating. The horror becomes personified when she catches a glimpse of Gjor as he wanders about the countryside, waiting for the truce of thirty days to end, and life with it. That momentary vision of the hapless murderer provokes in her a violent act of revulsion and contrition. Her life will be marked by it always.

por Ismail Kadare

Masterful in its simplicity, Chronicle in Stone is a touching coming-of-age story and a testament to the perseverance of the human spirit. Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy’s eyes, we see the terrors of World War II as he witnesses fascist invasions, allied see more bombings, partisan infighting, and the many faces of human cruelty—as well as the simple pleasures of life.

Evacuating to the countryside, he expects to find an ideal world full of extraordinary things, but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy’s story are tantalizing fragments of the city’s history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

por Ismail Kadare

Two destinies intersect in Broken April. The first is that of Gjor, a young mountaineer who (much against his will) has just killed a man in order to avenge the death of his older brother, and who expects to be killed himself in keeping with the provisions of the Code that regulates life in the highlands. The second is that of a young couple on their honeymoon who have come to study the age-old customs of the place, including the blood feud.
While the story is set in the early twentieth see more century, life on the high plateaus of Albania takes life back to the Dark Ages. The bloody shirt of the latest victim is hung up by the bereaved for all to see—until the avenger in turn kills his man with a rifle shot. For the young bride, the shock of this unending cycle of obligatory murder is devastating. The horror becomes personified when she catches a glimpse of Gjor as he wanders about the countryside, waiting for the truce of thirty days to end, and life with it. That momentary vision of the hapless murderer provokes in her a violent act of revulsion and contrition. Her life will be marked by it always.

por Ismail Kadare

An old woman is awoken in the dead of night by knocks at her front door. The woman opens it to find her daughter, Doruntine, standing there alone in the darkness. She has been brought home from a distant land by a mysterious rider she claims is her brother Konstandin. But unbeknownst to her, Konstandin has been dead for years. What follows is chain of events which plunges a medieval village into fear and mistrust. Who is the ghost rider?

por Ismail Kadare

In a small town at the foot of the northern highlands in Albania, a decade after the fall of the Communist regime, the harsh blood-for-blood law of the fearsome Kanun mountain folk is emerging from hibernation, like everything else that was forbidden under the fifty years of Communist rule. Mysterious happenings that are two thousand years old, two centuries old, or even just two years old reemerge in daily life. The marriage of a girl and a snake is not just a legend but a news item—a see more cyclical event that is as much part of the modern world as of the ancient one. Set against this Kafkaesque backdrop, a simple and sensual love story between a painter and a young woman stands out as light against dark. 
With its rich and somber story of local traditions and universal themes, Spring Flowers, Spring Frost is a masterpiece belonging to Kadare’s purest classical vein.