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por Sonya Fitzpatrick

Our pets are part of the family. For many they’re as close as children; for some they may be our only children. And while most of us can expect that our children will outlive us, sadly, our pets almost never do.

Losing a pet can be as difficult as losing any other family member; we grieve, we miss them, and, mostly, we want closure, to know that our furry, feathered, or scaled friends are okay, wherever they are.

For years, animal communicator Sonya Fitzpatrick has helped pet see more owners cope with the loss of their beloved companions. Many of them ask the same questions: Is my pet happy? Why did this happen? Is it okay to get another pet? Using her personal experiences as well as the stories of the families she’s worked with, Sonya sheds some light on the questions that every grieving pet owner has, and assures the reader that there are, in fact, no sad dogs (or cats or birds or turtles or horses or cows) in heaven.

por Angela Hart

An uplifting true story from Sunday Times bestselling author, Angela Hart.

Why has no one given Jasmine the safety and care she desperately needs? Foster carer Angela is determined to find a solution.

Jasmine is a little girl with a difficult upbringing whose current foster carers have refused to keep her on as they can no longer handle her 'off the wall' behaviour. Social Services place her with specialist foster carer Angela Hart. Angela does her best to provide a secure see more environment for Jasmine in the hope that she can begin to move on, but it proves challenging as Jasmine often breaks out in bursts of anger and sometimes physical violence. Can Angela show Jasmine what safety looks like? And can she help Jasmine's beloved grandparents – who have been campaigning to become her full-time guardians – persuade social services that they are best placed to look after this troubled little girl?

The Girl with the Saddest Secret is the eighth book from well-loved foster carer and Sunday Times bestselling author Angela Hart. A true story that shares the tale of one of the many children she has fostered over the years. Angela's stories show the difference that quiet care, a watchful eye and sympathetic ear can make to those children whose upbringing has been less fortunate than others.

por Book 35

Yang Geon-sik’s first-person short story “Sad Contradiction,” published in 1918, tells the story of an unnamed protagonist who represents the frustrated Korean intellectuals of the times. At odds with himself and others, he sets off wandering through the streets of Seoul, at times on foot, at times by tram, at times in rickshaw, but ever aimlessly. He remarks on shameless women, drunken day laborers, brutal police, and equally aimless friends. Very little actually happens in this story, see more which is part of the writer’s point, for very little happened in the lives of such superfluous intellectuals as here depicted. Except that they do sometimes reach a dead end in a society that sees no need for intellectuals. And something does finally happen at the dead end of this story.

por Lang Leav

School is almost out for Audrey, but the panic attacks are just beginning. Because Audrey told a lie and now her classmate, Ana, is dead. Just as her world begins to spin out of control, Audrey meets the enigmatic Rad – the boy who could turn it all around. But will their ill-timed romance drive her closer to the edge?

por Niklas Terwort

This book is made of 10 poems. These poems are either about love, family, friends or bullying. I have got to know a lot of depressed people over the years and these poems are dedicated to them, they tell those people's problems. But, some are also about my life. If you like sad and depressing poetry you will surely love this book!

por Cathy Glass

The Sunday Times and New York Times bestselling author of Damaged tells the true story of Donna, who came into foster care aged ten, having been abused, victimised and rejected by her family. Donna had been in foster care with her two young brothers for three weeks when she is abruptly moved to Cathy’s. When Donna arrives she is silent, withdrawn and walks with her shoulders hunched forward and her head down. Donna is clearly a very haunted child and refuses to interact with Cathy’s see more children Adrian and Paula.
After patience and encouragement from Cathy, Donna slowly starts to talk and tells Cathy that she blames herself for her and her brothers being placed in care. The social services were aware that Donna and her brothers had been neglected by their alcoholic mother, but no one realised the extent of the abuse they were forced to suffer. The truth of the physical torment she was put through slowly emerges, and as Donna grows to trust Cathy she tells her how her mother used to make her wash herself with wire wool so that she could get rid of her skin colour as her mother was so ashamed that Donna was mixed race.
The psychological wounds caused by the bullying she received also start to resurface when Donna starts reenacting the ways she was treated at home by hitting and bullying Paula, so much so that Cathy can’t let Donna out of her sight.
As the pressure begins to mount on Cathy to help this child, things start to get worse and Donna begins behaving in erratic ways, trashing her bedroom and being regularly abusive towards Cathy’s children. Cathy begins to wonder if she can find a way to help this child or if Donna’s scars run too deep.

por Book 21

In Agatha Christie’s classic murder mystery Sad Cypress, a woman damned by overwhelming evidence stands accused of murdering her romantic rival, and only Hercule Poirot stands between her and the gallows.Beautiful young Elinor Carlisle stood serenely in the dock, accused of the murder of Mary Gerrard, her rival in love. The evidence was damning: only Elinor had the motive, the opportunity, and the means to administer the fatal poison.
Yet, inside the hostile courtroom, only one man still see more presumed Elinor was innocent until proven guilty. Hercule Poirot was all that stood between Elinor and the gallows.…

por Melissa Broder

From acclaimed poet and creator of the popular twitter account @SoSadToday comes the darkly funny and brutally honest collection of essays that Roxane Gay called "sad and uncomfortable and their own kind of gorgeous."

Melissa Broder always struggled with anxiety. In the fall of 2012, she went through a harrowing cycle of panic attacks and dread that wouldn't abate for months. So she began @sosadtoday, an anonymous Twitter feed that allowed her to express her darkest see more feelings, and which quickly gained a dedicated following. In So Sad Today, Broder delves deeper into the existential themes she explores on Twitter, grappling with sex, death, love low self-esteem, addiction, and the drama of waiting for the universe to text you back.

With insights as sharp as her humor, Broder explores--in prose that is both ballsy and beautiful, aggressively colloquial and achingly poetic--questions most of us are afraid to even acknowledge, let alone answer, in order to discover what it really means to be a person in this modern world.