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por Poinsot, Maffeo

Chiromancy is, for the Occultist, the astral sign-manual contained in the hand. But it is not necessary to believe in Astrology tn order to believe in Chiromancy. In the same way as Chouasnard wants to arrive at a scientific Astrology, so Henri Rem wants, and he NII vs it himself, to “disoccult ” Chirology. He is entitled to do so. We are entitled, while respecting his method and admiring his work, to remain in our doctrinal atmosphere which arrives at the same conclusions, but maintains see more the link of harmony above pointed out. Let us note, however, that the disocculted Chirology keeps various astrological terms, such as the mounts of Jupiter, Saturn, Mercury or Venus, the line of the Sun, the plain of Mars, etc. It is true that it looks upon these merely as words for which it is inclined to substitute I hose of mounts of the index, the middle finger, the ring finger, the lines of health, of intuition, of fate, etc. All that has no importance. The main thing is that Chirology (which includes the traditional Chiromancy and Chirognomony) has to its credit, just as has Astrology, a considerable number of proved observations which, even if they do not rest on a valid theory, make it an actual science of great utility. But there is a chiromantic theory, whether we base it on Occultism ns being applied astrology, whether we take as its foundation, with Dcsbarolles, the animal electricity which is peculiarly noticeable in the hand, or relate it with L. Gastin to psycho-physics. Once more, one thing only counts—the amazing frequency of the correspondence l» tween the chiromantic elements and the temperament, the fate of (lie subject. This frequency has been observed for centuries, and constitutes owing to its repeated experience an empirical proof of almost indisputable value.

por Pradnyaa Sourabh Parikh

 Become exactly who and what you want to be – just by changing the way you write.

In this interactive book, experienced graphologist Pradnyaa Parikh shares the significance of every line and curve that we make and how they affect us.


The Power of Handwriting Analysis comprises a series of fun and easy-to-do exercises to help you improve your handwriting and your confidence. All you have to do is follow the steps, practice your script and see the difference in yourself! This see more book is based on the years of research and experience by the author and is sure to help you:
•  Overcome shyness, laziness and low self-esteem
•  Improve communication skills, creativity and confidence
•  Analyze the behaviour patterns of people, thus helping you predict responses
•  Resolve personal issues at home by studying your family’s personality traits
•  Develop professionally by recognizing your strengths and using them to your advantage


Pradnyaa Sourabh Parikh has more than 12 years of experience in the field of Graphology. She has conducted seminars and classes on the subject of handwriting and signature analysis for both Latin and Devnagari scripts. She has hosted a radio show on graphology for a year and is also a doodle analyst as well as a certified linguist professional (German language translator). She is currently engaged in writing books on the subjects of colour therapy, doodle analysis, aura reading and body language interpretation.

por Book 3

Is it possible to know all about someone, just by looking at their handwriting?Imagine you could ask anyone to write down two simple words yet you could start telling them 'what they're like' from their handwriting almost immediately - even complete strangers!
You must admit that would be cool. How could you know so much with so little information?
Well with the graphology system outlined in this new graphology book designed to be learned in few days, you can be giving see more interesting yet fun handwriting readings in no time at all - Here are some points to consider:
* Can be learned over a weekend
* Requires only two words to be written down
* Can be done for two or more people at the same time
* A great ice-breaker or conversation starter
* Once you've learned it, it's almost impossible to forget
Oh - and did we mention the FREE AUDIOBOOK?
We almost forgot - not only do you get the book packed with examples, exercises and top-tips to make learning graphology as painless as possible, you also get the 13 part audiobook thrown in as well!
FLASH CARDS!
With the book and audiobook you also get a set of 10 flash cards! Print them off onto index cards and stick them in your back pocket so you can have an instant 'refresher' moment while you're still learning the system. No need for last minutes nerves - a quick look at your flash cards and you can top-up your new found knowledge in a jiffy.
Powerful stuff
Seriously, knowing this information is powerful - everyone is interested in themselves, and by using the fun techniques in this unique book you'll find that sometimes you simply haven't got the time to check out everybody's handwriting!
REVIEWS
"I really enjoyed reading your new  book and would heartily recommend it. It is a great way to learn the art without spending hours ploughing through the many books out there on the subject." - Richard Osterlind
"Julian is a wonderful teacher. I've tried learning enough about graphology before to use as an adjunct to my mentalism performances but it never stuck. And I quickly became bored. 
With Julian's system once the info is in your head, it isn't easily leaving. And I found the whole process fun! Julian has set this up in a way that you get constant reinforcement for your efforts and just want to keep going." - Bill Cushman
"I have finished Julian's book on Graphology and highly recommend it. Julian has condensed a large amount of information on graphology into an easily memorized system and provided a presentation that is short, sweet, and can be done on the back of a business card. I like to explain how I am getting my information as I am doing the reading, and Julian's system is perfectly suited for this.
In fact, it is so simple to explain that your subject will likely go away believing they have learned something valuable even in the unlikely event that most of your reading doesn't hit the mark -- so you really cannot lose.
Anyone that is interested in Graphology should definitely pick up this book." - John Lumber
"As a long time graphologist, I've perused Julian's manuscript, and can attest that it is exactly as described. He's taken some of the real 'meat' of the subject and found a way to explain it clearly and simply - AND to do it in a wicked clever mnemonic sort of structure that makes it quite easy to remember. (And, therefore, easy to explain to others.) 
He's done a lot of hard mental work so that you won't have to! Well worth the price tag for those who wish to use it." - Brane
OTHER KINDLE BOOKS IN THE SPEED LEARNING SERIES BY JULIAN MOORE 
Speed Learning: Graphology - The Art Of Handwriting Analysis 
Speed Learning: Cartomancy - A Playing Card Reading Primer 
Speed Learning: Palmistry - Palm Readings In Your Own Words 
Speed Learning: Numerology - Numbers Past And Present With The Lo-Shu Square 
Speed Learning: Star Signs

por Annette Poizner

Faced with challenging economic times, contemporary clinicians require assessment tools which can accelerate the therapeutic process and facilitate brief psychotherapy. This text introduces graphology, or handwriting analysis, which has been used clinically in Europe for decades alongside other projective techniques. In Clinical Graphology: An Interpretive Manual for Mental Health Practitioners, this clinical application becomes accessible. The text provides a compelling rationale for see more the clinical evaluation of handwriting and demonstrates how therapists can access rich personal data by examining clients’ graphic behaviors. The text is designed to systematically present clinical graphology in theory and practice. A review of the literature demonstrates that the clinical use of graphology is consistent with the tenets of clinical practice. Graphological interpretive theory is presented in detail, providing a theoretical understanding of those graphic features which are meaningful indices of psychological phenomena. In this context, the inherent congruity between graphological and psychological theory is explored. Diverse handwriting samples, including many of contemporary public figures, illustrate graphic phenomena while demonstrating and encouraging the graphologist’s unique type of visual acuity. To facilitate the reader’s ability to synthesize graphic traits into a holistic personality profile, an interpretive schedule is provided which summarizes graphic indices and their interpretations. A method of assessing handwritings is provided which permits a degree of standardization and so facilitates research. Using this text, readers can integrate graphological theory and cultivate interpretive skills. Providing a comprehensive treatment of the psychology of handwriting, this volume includes a discussion of caveats which guide the clinical use of graphology as well as research considerations and guidelines for sharing graphological findings with clients. To date, clinicians in North America remain unaware of the merits of graphology usage although they continue to seek out methods of assessment which will facilitate their clinical efforts. This volume will demonstrate graphology as a tool which can be applied by those with virtually any theoretical orientation or practice model, speaking to the interests of psychiatrists, psychologists, social workers, art therapists, vocational counselors, pastoral counselors, and naturopaths, and paraprofessionals.

por Juliet Fleming

“Cultural Graphology” could be the name of a new human science: this was Derrida’s speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself but did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using both his early and later thought, and the psychoanalytic texts to see more which it is addressed, to examine the print culture of early modern England, she drastically unsettles some key assumptions of book history.

Fleming shows that the single most important lesson to survive from Derrida’s early work is that we do not know what writing is. Channeling Derrida’s thought into places it has not been seen before, she examines printed errors, spaces, and ornaments (topics that have hitherto been marginal to our accounts of print culture) and excavates the long-forgotten reading practice of cutting printed books. Proposing radical deformations to the meanings of fundamental and apparently simple terms such as “error,” “letter,” “surface,” and “cut,” Fleming opens up exciting new pathways into our understanding of writing all told.

por Various

A republication of the 1897 edition. The illustrated contents deal with all aspects of the fascinating art of graphology. A study of the relations existing between the handwriting of a person and his character. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, high-quality, modern edition complete with a specially commissioned new introduction on graphology.

por Arthur Storey

Originally published in London, 1922. The aim of this fascinating book is to enable the reader to analyse character from handwriting. Contents Include: Psychology of Handwriting. Physiology of Handwriting. Connections between Physical condition and Handwriting. Recognition of Activity in Handwriting. Imagination. Tendencies. Autographs. Handwriting as an Art. Diagrams. Why we write as we do. Scheme for systematic observation of handwriting traits. etc. The book is well illustrated with writing see more examples etc. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

por Marc Seifer

The ability to write by hand is a pinnacle of human achievement. As a form of self-expression, handwriting reflects a person's thoughts about the self and reveals aspects of a person's personality.Written in a step-by-step fashion, The Definitive Book of Handwriting Analysis begins with the history of the field and then teaches you how to analyze any handwriting, starting with objective criteria, including variables such as organization, speed, size, shape, slant, and symbolic features. see more Then you learn how to combine these variables to create a full personality profile.
There are more than 100 handwriting samples, including those from Paul Newman, Bill Clinton, Marlon Brando, Donald Trump, Sigmund and Anna Freud, Thomas Edison, Osama bin Laden, Jacqueline Kennedy, Bruce Springsteen, Benito Mussolini, Napoleon, Michael Jackson, Robert Redford, Barak Obama, and Charles Darwin.
Part II discusses how handwriting is organized by the brain and includes many examples of the link between handwriting and various illnesses and brain disorders, from dyslexia and epilepsy to stroke and coma. It ends with a discussion of the link between different personality types, their brain organization, and their handwriting.
Part III is an in-depth look at the field of questioned documents, including such topics as free-hand forgeries, tracing, disguised handwriting, and anonymous notes. It features an in-depth discussion of how forgeries are created and how they are detected.
If you are interested in any aspect of this topic, The Definitive Book of Handwriting Analysis is definitely the book you need!

por Clifford Howard

Graphology is the art of reading character from handwriting. That there is a relationship between character and style of penmanship has long been recognized, but until recently little has been done to formulate the principles upon which this relationship is based. Enough has now been accomplished in this direction, however, to make it possible to lay down definite rules for determining one's disposition, aptitude and nature by the peculiarities of his handwriting. As a matter of pastime the see more author took up a study of this interesting subject several years ago. Finding it so full of entertainment and usefulness and realizing that there exists at present no popular treatise on the subject, notwithstanding the wide-spread interest and curiosity invariably aroused by an exhibition of ability to read character from handwriting, he has gathered together the results of his studies and experience, in the hope that the information here set forth may serve as a source of entertainment to the general reader and as a means of aiding those who desire to acquire a practical knowledge of graphology. The studies and investigations of the author, in conjunction with those of other students of the subject, have revealed the fact that every feature of a handwriting is indicative of some particular personal characteristic, and it is the object of this volume to point out these relationships; to show the characteristic features of handwritings and their corresponding personal indications, and, generally, to present the subject in such form as to make it readily possible for any one to demonstrate to his own satisfaction the relationship of character to chirography.

por Eugene S. Bagger

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.